How often have you asked yourself "how do I express my 'voice' in my artwork?" Or thought, "I don't know where to start." This class is an opportunity to start in on making work that is your own, not just derivative of the techniques that you have learned or the things that other people are making in fused glass. It's a chance to take your work to a higher level.
The class will explore ways of thinking about the artwork that we make and the development of that work with strong, clear intent. We will consider idea-based approaches and making work that is meaningful and well crafted. We will consider why we make objects, as well as the importance of the object. A series of exercises, including words, drawings, modeling, and sample making will help us clarify and express our ideas in kilnformed glass.
Students will investigate how an initial idea develops into a comprehensive series of studio glass work. The workshop follows an initial germ of an idea through development, design, and technical solutions, to resolution and possibly a cohesive body of work. The intention is to understand where ideas come from, how an idea grows into resolved artwork, and how the technique of making that object in glass comes from the initial ideas.
Unlike many workshops that are primarily technique driven, this workshop starts with ideas and then utilizes needed techniques to bring the idea to fruition. While no specific technique will be taught, many will be used as needed to develop individual work.
This class is based on a belief that work begins with ideas and is supported by design and technical knowledge becoming stronger, more personal, and more original.
Background: This workshop draws heavily on my experience as an architect and as an educator in architecture and design. It draws on my education at the Cranbrook Academy of Art and on my experiences and approaches in my artistic practice. It is informed by Professional-Artists-in-Residence programs that Steve Klein and I have organized and facilitated at Pilchuck Glass School, at North Lands Creative in Caithness, Scotland, in the far north of Norway, and in the high desert of New Mexico.
Participants should have a basic knowledge of kilnforming techniques, a desire to find their voice in their work, and a willingness to question, experiment, and explore.
- Additional Information
SKU CLN336-0001 Title What's the Big Idea?: Making and Meaning in Kilnformed Glass, with Richard Parrish Topic No Location New York Instructor Richard Parrish